Wednesday, September 22nd. 7:00 PM. In 1933, “Fortune” magazine suggested to the American fashion industry that they could benefit from the showmanship demonstrated by the Hollywood designers in order to compete with the French couturiers. The Hollywood designer “Fortune” most praised was Adrian of M-G-M. It was a logical choice as Adrian’s design for Joan Crawford in the 1932 film “Letty Lynton” dominated the fashion industry for the next two years. Join us for Adrian, American Designer, Hollywood Original by Richard Matukonis-Adkins.

$10 Presentation only  – Members (Pay Below with small Paypal fee)*
$15 Presentation only  – Non Members (Pay Below with small Paypal fee)*
$55 Presentation and electronic book, Member price (Pay Below with small Paypal fee)
$60 Presentation and electronic book, Non-Member price (Pay Below with small Paypal fee)
Purchase e-book or additional e-books separately
*After your purchase you will be emailed the special presentation link by 6pm the day before the presentation and by 12pm on the day of the presentation.

The Windsor Square Hancock Park Historical Society

presents

Adrian, American Designer, Hollywood Original

with author Richard Matukonis-Adkins

Please join us Wednesday, September 22nd. 7:00 PM

Despite offers to go into the retail business as early as 1928, Adrian did not enter the commercial fashion world until 1942, after leaving M-G-M, but taking his fame with him. In 1944 he would win the prestigious Coty Award for fashion design. One of the reasons he did so was his innovative Trompe l’oiel painted imagery on fabric, a tasteful solution to the L-85 fabric restrictions of World War II. So proud of the award was Adrian that he added the line “American Designer” to all his advertisements in the prestigious fashion magazines.

By 1952, he had achieved all his dreams. He was famous, successful, married to a lovely woman, movie star Janet Gaynor, father to a son, Robin, had traveled to Africa, and was working happily in fashion, theatre, and fine art. Unfortunately, a weak heart demanded he give up his fashion business. His “retirement” however, was hardly inactive.

Attendance at a film festival in Brazil in 1952 led the Adrians to build – by hand – a home outside the new capital of Brasilia. They spent half their year in Brazil and half in Los Angeles. Janet made a return to movies in 1957, and Adrian designed his first stage production since 1924, a musical version of his film hit “Grand Hotel”. Dual offers came to Janet and Adrian to continue theatrical work, her to star in “Midnight Sun” with Arthur Hill, and for Adrian to design for the musical which became “Camelot” and for which he was awarded a posthumous Tony Award, shared with Tony Duquette, who completed the production after Adrian suddenly died three months into the assignment.

The nostalgia boom began just a few years after Adrian’s passing, but the surviving pieces of his film work were soon commanding high prices at auctions, with the Judy Garland-worn ruby slippers becoming the most valuable of all movie artifacts. Also, his couturier work began to be presented in museum exhibitions all over the world.
According to their son, Robin, neither Janet nor Adrian dwelt in the past. He would probably be a little surprised at the attention his work still receives, but would nonetheless be pleased about it, I’m sure.

I have studied Adrian and his work for the last two decades, with the result being my book, “Adrian – American Designer, Hollywood Original” and I am pleased to be able to share new information with those familiar with his work and to introduce him to new audiences who know the designer, but not as much about the man.

WEDNESDAY OCTOBER 27TH, 7:00 PM Clete Keith never had thoughts of writing a book, let alone one on the paranormal. He was not someone totally convinced of the existence of ghosts or spiritual hauntings-until he started working at Greystone Mansion in Beverly Hills. After twenty-two years working at the mansion, he woke up one night with the idea of writing a book about the stories he has heard as well as his own experiences. Ghosts of Greystone – Beverly Hills is a landmark exposé of eyewitness accounts detailing supernatural activity associated with this extraordinary location.
$10 Presentation only  – Members (Pay Below with small Paypal fee)*
$15 Presentation only  – Non Members (Pay Below with small Paypal fee)*
$44 Presentation and autographed hardcover book including shipping, Member price (Pay Below with small Paypal fee)*
$49 Presentation and autographed hardcover book including shipping, Non-Member price (Pay Below with small Paypal fee*
*After your purchase you will be emailed the special presentation link by 6pm the day before the presentation and by 12pm on the day of the presentation.

Purchase book or additional books separately

The Windsor Square Hancock Park Historical Society

presents

GHOSTS OF GREYSTONE – BEVERLY HILLS

with author Clete Keith

Please join us WEDNESDAY OCTOBER 27TH, 7:00 PM

Having been approached by many guests, patrons, and employees over the years, Keith has heard it all. “Two tourists walked up to me and asked how they could get inside the mansion for the tour. When I told them the interior is closed to the public one replied, ‘Oh, because we saw a man in period clothing staring out the window and we thought he was part of the tour.’” This marks just one encounter of 237 paranormal stories documented at Greystone Mansion. Keith spent nearly three years researching the supernatural activity at the estate. With 86 interviews, including guests of the park, City staff, police officers, movie crew personnel, and janitorial services, Ghosts of Greystone – Beverly Hills promises you a riveting history and ghostly encounters. For more than two decades, the mystery surrounding the strange events taking place in and around Greystone Mansion has been suppressed, ignored, and disbelieved. Along with rare photographs and intriguing details about the landscape and architecture, Keith delves into the family of Ned and Lucy Doheny, including the fateful murder/suicide on the night of February 16, 1929, and other unfortunate deaths that surround these enigmatic grounds that may have stoked the paranormal fire of activity. “People from all over the world come to visit this iconic location. They want to peek behind the curtain and observe this ghostly estate for themselves. Ghosts of Greystone – Beverly Hills will allow them to do just that.”