On December 22, 2013, the world-famous Hollywood Park Race Track closed its doors forever. In 2014, demolition began on the landmark race track, effectively erasing seventy-five years of history, while at the same time making space for an entire new neighborhood to suddenly arise in the middle of the metropolis. Photographer Michele Asselin spent every day at Hollywood Park in the last two weeks before it closed, photographing the buildings, the employees, and the patrons of the track. Clubhouse Turn: The Twilight of Hollywood Park Race Track is the product of her efforts, and the story of two cultures colliding in the middle of a rapidly evolving city.

$50 Autographed hardcover book from Angel City Press

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Windsor Square Hancock Park Historical Society

And

Angel City Press

present

Clubhouse Turn: The Twilight of Hollywood Park Race Track 
By Michelle Asselin

Please join us MARCH 17th at 7:00pm

Wednesday, September 22nd. 7:00 PM. In 1933, “Fortune” magazine suggested to the American fashion industry that they could benefit from the showmanship demonstrated by the Hollywood designers in order to compete with the French couturiers. The Hollywood designer “Fortune” most praised was Adrian of M-G-M. It was a logical choice as Adrian’s design for Joan Crawford in the 1932 film “Letty Lynton” dominated the fashion industry for the next two years. Join us for Adrian, American Designer, Hollywood Original by Richard Matukonis-Adkins.

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$15 Presentation only  – Non Members (Pay Below with small Paypal fee)*
$55 Presentation and electronic book, Member price (Pay Below with small Paypal fee)
$60 Presentation and electronic book, Non-Member price (Pay Below with small Paypal fee)
Purchase e-book or additional e-books separately
*After your purchase you will be emailed the special presentation link by 6pm the day before the presentation and by 12pm on the day of the presentation.

The Windsor Square Hancock Park Historical Society

presents

Adrian, American Designer, Hollywood Original

with author Richard Matukonis-Adkins

Please join us Wednesday, September 22nd. 7:00 PM

Despite offers to go into the retail business as early as 1928, Adrian did not enter the commercial fashion world until 1942, after leaving M-G-M, but taking his fame with him. In 1944 he would win the prestigious Coty Award for fashion design. One of the reasons he did so was his innovative Trompe l’oiel painted imagery on fabric, a tasteful solution to the L-85 fabric restrictions of World War II. So proud of the award was Adrian that he added the line “American Designer” to all his advertisements in the prestigious fashion magazines.

By 1952, he had achieved all his dreams. He was famous, successful, married to a lovely woman, movie star Janet Gaynor, father to a son, Robin, had traveled to Africa, and was working happily in fashion, theatre, and fine art. Unfortunately, a weak heart demanded he give up his fashion business. His “retirement” however, was hardly inactive.

Attendance at a film festival in Brazil in 1952 led the Adrians to build – by hand – a home outside the new capital of Brasilia. They spent half their year in Brazil and half in Los Angeles. Janet made a return to movies in 1957, and Adrian designed his first stage production since 1924, a musical version of his film hit “Grand Hotel”. Dual offers came to Janet and Adrian to continue theatrical work, her to star in “Midnight Sun” with Arthur Hill, and for Adrian to design for the musical which became “Camelot” and for which he was awarded a posthumous Tony Award, shared with Tony Duquette, who completed the production after Adrian suddenly died three months into the assignment.

The nostalgia boom began just a few years after Adrian’s passing, but the surviving pieces of his film work were soon commanding high prices at auctions, with the Judy Garland-worn ruby slippers becoming the most valuable of all movie artifacts. Also, his couturier work began to be presented in museum exhibitions all over the world.
According to their son, Robin, neither Janet nor Adrian dwelt in the past. He would probably be a little surprised at the attention his work still receives, but would nonetheless be pleased about it, I’m sure.

I have studied Adrian and his work for the last two decades, with the result being my book, “Adrian – American Designer, Hollywood Original” and I am pleased to be able to share new information with those familiar with his work and to introduce him to new audiences who know the designer, but not as much about the man.

November 10th at 7:00pm. In Saving Radio City Music Hall, published by TurningPointPress, Rosemary Novellino-Mearns reveals how Radio City Music Hall, Art Deco masterpiece and New York City’s premiere tourist attraction for generations, was saved from demolition. After years of struggling with intense, sometimes painful memories, “Rosie” tells the honest, fact-filled, emotionally charged, and often humorous story of how she organized the gargantuan effort to save Radio City Music Hall in the Spring of 1978. Against all odds, and in only four months, she succeeded. Readers will be shocked by the “no good deed goes unpunished” climax of the story in which Rosie reveals her reward for spearheading the movement to save “The Showplace of the Nation.”

*$10 Presentation only  – Members (Pay Below with small Paypal fee)
*$15 Presentation only  – Non Members (Pay Below with small Paypal fee)
Book available through Amazon
*After your purchase you will be emailed the special presentation link by 6pm the day before the presentation and by 12pm on the day of the presentation.

Windsor Square Hancock Park Historical Society

Presents

Saving Radio City Music Hall – A Dancer’s True Story

by Rosemary Novellino-Mearns

November 10th at 7:00pm

A modest but determined young dancer from Glen Rock, New Jersey, Rosemary Novellino joined the Radio City Music Hall Ballet Company, the classical dance counterpart to the world-famous Rockettes, in 1966. After a shaky beginning, she danced with the group for twelve years, eventually becoming its Dance Captain and Assistant to the legendary choreographer Peter Gennaro. In the mid-1970s, questionable behind-the-scenes changes in Music Hall management alarmed hundreds of employees, but no one was prepared for the official announcement in early 1978, that Radio City Music Hall was slated to close that April and be demolished.

Drawing upon formerly untapped inner strengths, Rosemary refused to let this happen. She became President of “The Showpeople’s Committee to Save Radio City Music Hall” and motivated fellow workers, friends, thousands of Radio City fans around the world, New York and national media, cultural leaders and politicians to support the cause. As a result of these efforts, the Art Deco palace was declared a National Historic Landmark. saving not only the building but the jobs and livelihoods of thousands of Music Hall employees on stage and behind the scenes who have entertained millions to this day. This “heartfelt and very personal account of that effort,” says Booklist, “provides a backstage glimpse of the drama that ensued and features a cast of characters that includes performers, politicians, the media, and some very heavy hitters in the world of New York real estate that will delight readers interested in the performing arts and their history in the U.S.”