Events Calendar

August 25th, 7:00 PM. Do you want to read something funny?  Let’s say, a novel set at a divorce ranch in Reno in the 1930s?  A book with memorably eccentric characters, sparkling dialogue, a satisfying plot twist, and some romance and sex?  A feel-good literary comedy/western?  Here it is, then, the book you’ve been looking for: Julia Claiborne Johnson’s Better Luck Next Time.”— author of Dear Committee Members and The Shakespeare Requirement

The eagerly anticipated second novel from the bestselling author of Be Frank with Me, a charming story of endings, new beginnings, and the complexities and complications of friendship and love, set in late 1930s Reno.
$10 Presentation only  – Members (Pay Below with small Paypal fee)*
$15 Presentation only  – Non Members (Pay Below with small Paypal fee)*
$31.74 Better Luck Next Time book signed by author Julia Claiborne Johnson – Available for pick up at Chevalier’s Bookstore or shipped for an additional $6
*After your purchase you will be emailed the special presentation link by 6pm the day before the presentation and by 12pm on the day of the presentation.

The Windsor Square Hancock Park Historical Society

presents

BETTER LUCK NEXT TIME

with author Julia Claiborne Johnson

Please join us WEDNESDAY August 25th, 7:00 PM

It’s 1938 and women seeking a quick, no-questions split from their husbands head to the “divorce capital of the world,” Reno, Nevada. There’s one catch: they have to wait six weeks to become “residents.” Many of these wealthy, soon-to-be divorcees flock to the Flying Leap, a dude ranch that caters to their every need.

Twenty-four-year-old Ward spent one year at Yale before his family lost everything in the Great Depression; now he’s earning an honest living as a ranch hand at the Flying Leap. Admired for his dashing good looks—“Cary Grant in cowboy boots”—Ward thinks he’s got the Flying Leap’s clients all figured out. But two new guests are about to upend everything he thinks he knows: Nina, a St Louis heiress and amateur pilot back for her third divorce, and Emily, whose bravest moment in life was leaving her cheating husband back in San Francisco and driving herself to Reno.

A novel about divorce, marriage, and everything that comes in between (money, class, ambition, and opportunity), Better Luck Next Time is a hilarious yet poignant examination of the ways friendship can save us, love can destroy us, and the family we create can be stronger than the family we come from.

Wednesday, September 22nd. 7:00 PM. In 1933, “Fortune” magazine suggested to the American fashion industry that they could benefit from the showmanship demonstrated by the Hollywood designers in order to compete with the French couturiers. The Hollywood designer “Fortune” most praised was Adrian of M-G-M. It was a logical choice as Adrian’s design for Joan Crawford in the 1932 film “Letty Lynton” dominated the fashion industry for the next two years. Join us for Adrian, American Designer, Hollywood Original by Richard Matukonis-Adkins.

$10 Presentation only  – Members (Pay Below with small Paypal fee)*
$15 Presentation only  – Non Members (Pay Below with small Paypal fee)*
$55 Presentation and electronic book, Member price (Pay Below with small Paypal fee)
$60 Presentation and electronic book, Non-Member price (Pay Below with small Paypal fee)
Purchase e-book or additional e-books separately
*After your purchase you will be emailed the special presentation link by 6pm the day before the presentation and by 12pm on the day of the presentation.

The Windsor Square Hancock Park Historical Society

presents

Adrian, American Designer, Hollywood Original

with author Richard Matukonis-Adkins

Please join us Wednesday, September 22nd. 7:00 PM

Despite offers to go into the retail business as early as 1928, Adrian did not enter the commercial fashion world until 1942, after leaving M-G-M, but taking his fame with him. In 1944 he would win the prestigious Coty Award for fashion design. One of the reasons he did so was his innovative Trompe l’oiel painted imagery on fabric, a tasteful solution to the L-85 fabric restrictions of World War II. So proud of the award was Adrian that he added the line “American Designer” to all his advertisements in the prestigious fashion magazines.

By 1952, he had achieved all his dreams. He was famous, successful, married to a lovely woman, movie star Janet Gaynor, father to a son, Robin, had traveled to Africa, and was working happily in fashion, theatre, and fine art. Unfortunately, a weak heart demanded he give up his fashion business. His “retirement” however, was hardly inactive.

Attendance at a film festival in Brazil in 1952 led the Adrians to build – by hand – a home outside the new capital of Brasilia. They spent half their year in Brazil and half in Los Angeles. Janet made a return to movies in 1957, and Adrian designed his first stage production since 1924, a musical version of his film hit “Grand Hotel”. Dual offers came to Janet and Adrian to continue theatrical work, her to star in “Midnight Sun” with Arthur Hill, and for Adrian to design for the musical which became “Camelot” and for which he was awarded a posthumous Tony Award, shared with Tony Duquette, who completed the production after Adrian suddenly died three months into the assignment.

The nostalgia boom began just a few years after Adrian’s passing, but the surviving pieces of his film work were soon commanding high prices at auctions, with the Judy Garland-worn ruby slippers becoming the most valuable of all movie artifacts. Also, his couturier work began to be presented in museum exhibitions all over the world.
According to their son, Robin, neither Janet nor Adrian dwelt in the past. He would probably be a little surprised at the attention his work still receives, but would nonetheless be pleased about it, I’m sure.

I have studied Adrian and his work for the last two decades, with the result being my book, “Adrian – American Designer, Hollywood Original” and I am pleased to be able to share new information with those familiar with his work and to introduce him to new audiences who know the designer, but not as much about the man.